
I finally made it to the Queanbeyan library before closing time. Okay, so I do work in a library, but haven't actually borrowed any books from there yet! (Mainly because having an overdue there would be just embarrassing, as it would create more work for the workmate who sits right next to me.) Anyhow, I've recently been listening to Famous Five talking books, and if I were cool I wouldn't ever admit that. One thing that strikes me about those, apart from the sexism, racism and the dated language, is the ability of Blyton to get right into the action and hook the reader from the start. I hadn't read these stories since I was a kid, but it was amazing how the same stories conjured up the same settings in my mind, and it felt as though I was revisiting old stomping ground. This despite the fact I thought I had completely forgotten the plots in the last 20 years.
As a kid my reading diet consisted of a no doubt unhealthy amount of Blyton, interspersed with a good dose of Roald Dahl, and the life of Roald Dahl has been well recorded. If you've read Boy and Going Solo you probably feel as if you have a real sense of the man. This isn't the case with a more mysterious figure such as Blyton, so I was driven to find the Blyton Biography by Barbara Stoney at the library.
Enid Blyton was probably the J.K. Rowling equivalent in her day, being financially very successful and having millions of adoring fans from around the world. She was surprisingly modern in some ways, cutting her hair short when girls were supposed to wear it long, starting her own family in her mid thirties after establishing her own career, and divorcing her first husband in an era when it was not respectable to do so. (Of course it would have been more common had more women had the financial means.) Yet she was a woman of her times too. She despised foreign culture, had a strong preference for everything English, and seemed to have not the foggiest idea that perhaps using Golliwogs as baddies might be construed as racist. (She also used Golliwogs as goodies, so I don't know if she really was racist... just naive.)
Enid Blyton seems to divide people into those who love her and those who can't stand her. It's easy to criticise the predictable stories and simplistic language, and her hackneyed phrases such as 'lashings of butter' and 'If it weren't for you kids we'd never have found the robbers!'. Nevertheless, the divide seems to be between those under 12 and those over 12. Enid Blyton never really seemed to grow up, and this is no doubt what contributed to her enduring success.